installation ‘immigration clandestine’ opened at Dakar Biennale
On the tree by the entrance of the Institute, the passer-by sees a continuous, steady stream of names of African men, moving up the trunk and branches. Around the same imposing tree, the passer-by hears the sound of the surf of the West African ocean, which gradually blends into a recording of immigrants singing, mourning the passing of one who was lost. Cause and effect follow each other in a fitting and poetic way. Both image and sound emphasise the continuity of the phenomenon that is immigration.
Around the tree there are photos Judith Quax took in West Africa of the windows in the rooms of men who had focused their gaze on Europe, form images that represent a poetic glimpse, full of expectation.
At the Dakar Biennale of 2008, Judith Quax presented work on the same theme with posters in the public space. Her work was published in the NKA Journal of Contemporary African Art, accompanied by a text of Salah M. Hassan.
The projection is in collaboration with visual artist Ellert Haitjema.